feminism again

Little Women

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Happy New Year! We’re back with a classic in Louisa May Alcott’s Little Women, a book that many would call a quintessential American girl’s tale. Do we agree with this assessment? You’ll find out if you listen to this episode. You’ll also discover what we think about feminism in historical context, question certain self-improvements, agree with the narrator’s opinion on spinsters, and discuss the lack of passion in this story. We also talk about ladies who don’t like ladies, the creation of shipping, obnoxious children, and (perhaps oddly) lobsters.

The music bump is Chopin’s Mazurka in A minor, op. 17 due to period appropriateness. Feel free to imagine Beth playing it in heaven if that makes you feel better about it.

109 – Little Women – Marmee is the Worst

Our recommendation: Short version is that it doesn’t really hold up that well.

Ben: 5/10. Didn’t love it, didn’t hate it. I liked that there were a lot of things to discuss, as there usually are with classics.

Gabs: 5/10. 6/10 for part 1, 4/10 for part 2.

Quick administrative note: We’re hoping to post more often this year, though of course we guarantee nothing. As part of this “do more stuff” plan, we would like to be a little more responsive to our listeners. Please leave some requests/recommendations/suggestions for books for future episodes either in the comments for this episode or on our suggestions page.

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A Handmaid’s Tale

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Welcome back, book lovers! This week’s episode features A Handmaid’s Tale by Margaret Atwood, a dystopian future where women are second class citizens. The conversation is a little longer and darker than average as we take turns atop the feminist soapbox. We also attempt to offend the whole world by discussing religion and motherhood. Our high standards of broadcast quality are maintained as a landscaper starts his leafblower and leaves it sitting outside the window. Prepare to be slightly depressed and more than slightly outraged as we explore yet another dystopian future.

The music this week is Rockapella’s arrangement of “Amazing Grace,” because: 1) Rockapella is awesome, 2) Amazing Grace appears in the book, and 3) we find it difficult to take even twenty seconds of Elvis Presley’s “Heartbreak Hotel.”

A quick administrative note: If you are reading along at home, there is now a schedule link at the top of the page so you can follow us more easily.

07 – A Handmaid’s Tale – Feminism Gets Boned