prophecy

Harry Potter and the Cursed Child

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Novel Ideas, in a completionist turn, brings you Harry Potter and the Cursed Child by J.K. Rowling (but really by Jack Thorne and John Tiffany). In this episode we discuss insane bestselling sales, the nature of long delayed sequels, time travel plots, and how plays differ from novels. We also talk about the influence of cocaine (probably none), that Voldemort is likely a virgin, alternate Ron, and the inadequacy of riddle based security measures. And much, much more.

The music bump is “Sybilla Delphica” by Orlando di Lassus in honor of <spoiler of gobsmackingly stupid plot twist redacted>, Delphi.

Harry Potter and the Cursed Child – A Thing That Doesn’t Need To Exist

Our recommendation: This sequel was a smashing (financial) success. Otherwise, it doesn’t really feel that much like Harry Potter.

Ben: 4/10. I’ve never been a fan of unnecessary sequels. This falls into that category for me.

Gabs: 4/10 faulty Time Turners. Because it failed to turn back the clock and recapture the magic.

Also, if you have suggestions for future episodes, please share them with us! We’re trying to be a bit more responsive to our six or so listeners this year.

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Harry Potter and the Order of the Phoenix

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The Harry Poddercast Extravaganza is back with an extra long episode for the longest book in the series, Harry Potter and the Order of the Phoenix by J.K. Rowling. Holy cow, everything happens in this book. We talk about abuse of authority, thoroughly hateable characters, bullying, feminism, education, and standing up for the truth. We also discuss awkward teenage dating, the wizarding constitution, Neville’s transformation from bumbler into badass, and WHAT THE HELL IS THAT ARCH!? And many, many other things. I feel like I’ve edited two episodes, I can’t even remember how this one started. Our guest star for this episode was recorded over Skype, so there are occasional echoes in the audio, but I think I managed to get enough of it out to not be distracting.

The music bump is Umbridge’s theme from the movie, composed by Nicholas Hooper.

Recommendations:

On a scale of “treacle tart” to “puking pastile,” we give this book a canary cream.