Novel Ideas returns at a strange interval with The Awakening by Kate Chopin. Our apologies for our odd posting schedule as of late, Ben’s day job leads to a rather turbulent schedule between Thanksgiving and Christmas, so editing and posting episodes tends to get pushed back. We’re hoping to at least be able to post on Mondays through the start of the new year. I guess we’ll see. At any rate, check out this week’s episode where we discuss marriage, feminism, the rejection of societal norms, and the adult readability of classics. We also talk about space penises, Victorian titillation, the romantic death trope, and why children are boring.
The music bump this week is Frederic Chopin’s Nocture opus 15, number 3 in G Minor, also subtitled “Solitude” for its possibly awakening Edna’s…. awakening, I guess.
Ben: 6/10 I liked it more than not and provides some food for thought, though I didn’t find it especially compelling.
Gabs: 8/10 Minus two for the ending.
After a week off, your favorite intrepid, book-loving, podcasting siblings have returned. This time to examine Love in the Time of Cholera by Gabriel Garcia Marquez. This book is an examination of love, Colombian style. Probably. The author won’t really tell anyone for certain. In our discussion we cover the difficulties of translating literature, magical realism, love, honor, sex, and strong women. And cholera, though not nearly as much as you would expect from the title. Not to mention the fact that every character in this novel is crazy.
We also made a major update to our schedule yesterday, filling it up through the end of August. We’re going on a bestsellers kick, so most of what is on the schedule has been on the NY Times bestseller list for several weeks. Be sure to check it out if you want to read along with us.
This week’s music bump is Toto’s “Hold the Line,” because… Toto. Oh yeah, and it kind of describes Florentino Ariza to an almost uncanny degree.
This week in Novel Ideas, we discuss a classic of guilt and shame. Were I to deliver this explanation in the style of Nathaniel Hawthorne’s The Scarlet Letter, the next two thousand words would describe the feel the paper, the alignment of the typesetting, the quality of the ink, and the deeply emotional cover. And then maybe I’d say something about the content, but it would be a bad idea to get your hopes up on that account. Unlike Hawthorne, we like content, so we discuss the characters, the prose, the wisdom of exposing yourself as a witch to your Puritan neighbors, demon-elf children, the difficulties in adapting this story for film, and, of course, feminism.
The music bump is Domenico Scarlatti’s Sonata in G minor, K. 108. It was chosen because if ol’ Dom was your pen pal, he would send you Scarlatti Letters.